The Comédie-Française is staging “The Misanthrope” written by Molière, 1665 and directed by Clément Hervieu-Léger, on view through March 26, 2017.Why is it important to stage the classics? Answers Antoine Vitez, “because it is essential to work on social memory.” For Molière, 1665 – the year when The Misanthrope was written – is a year of betrayal: that of Racine, who gave his tragedy Alexander the Great to the troupe of the Hôtel de Bourgogne, after the failure of its first production by Molière’s troupe at the Théâtre du Palais-Royal. Clément Hervieu-Léger explores the temperament of the “cantankerous lover,” his struggle against the weariness of self and loneliness. The eight characters that make up this social microcosm are placed in an open space, outside a mansion that is being renovated, instead of in the cozy setting of a salon. The set is a moving space, a metaphor for what, according to the director, the repertoire should be: “evolving, completely of its century but nourished by previous centuries and already turning to the coming century. I belong to a repertory theatre, and I think that if we do not approach the works from a fresh perspective, then this repertory theatre has no reason to exist.”The play is at the Comédie-Française SALLE RICHELIEU, Place Colette, Paris 75001. For details, visit: http://www.comedie-francaise.fr Click on the slideshow for a sneak peek at the show.
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